天気の子

TENKI NO KO

MANGA

STATUS
COMPLETE
VOLUMES
3
RELEASE
August 25, 2020
CHAPTERS
13

DESCRIPTION

The summer of freshman year of high school. A boy named Hodaka runs away from his island home and goes to Tokyo, where he spends every day in loneliness. Then, in a corner of the bustling city he meets a girl named Hina. But he soon finds out that she possesses a mysterious power.

(Source: Kodansha USA, edited)

CAST

Hina Amano
Hodaka Morishima

CHAPTERS

RELATED TO TENKI NO KO

MOVIE DramaTenki no Ko

REVIEWS

unspecifieduser
60/100
Just watch the movie. All this does is remind you of the movie's emotions, but adds nothing on its own.
Weathering With You, the movie, was fantastic, but the manga feels like too close an imitation, rather than an adaptation that truly brings the story to a new medium.

It's impossible to talk about this without briefly reviewing the movie itself, so in short: The movie is fantastic. Makoto Shinkai's style of storytelling does not connect with everybody, but to those it does, it brings out incredibly powerful emotions. I particularly appreciate Weathering With You for how it takes the idea of fantasy explored in his prior films and challenges it — rather than be about a fantastical adventure of love and emotion, it's about a character who seeks those feelings, unaware of how immature it is, and makes reckless, dangerous decisions in conflict with the grounded reality around him that refuses to let him chase that fantasy. Yet the beauty of the story is that it still believes in that fantasy, and refuses to conclude that his desires are wrong.

How well does the manga adapt this? It does an okay job. I'd still give it an 6, because of how strong the core narrative is in a vacuum, but as an adaptation it gets a 3, because it has so little ambition to be anything more than an adaptation. Most of the story follows the exact same storyboard, beat for beat. There are a few additions, extra scenes that say new things about the main character's emotions, but they weren't nearly enough.

The art is fine. It's aesthetically pleasing and has some fantastically drawn two-page spreads. But the paneling style and general flow is my biggest issue — the vast majority of scenes tread far too closely to what the movie already did. It's not quite shot for shot, but it's close enough. Being paneled like a movie isn't always a bad thing, but it doesn't do this out of a mangaka's vision to create a story with that feeling — it lacks a vision of its own on how to make the same story work best as a manga. It doesn't take advantage of anything unique to manga as a medium. It's more like an illustrated script of the film.

Because of this, rather than bring the story to life in a new way, it feels like going through the motions of something you've already seen. But without the beautiful animation, colors, music, or voice acting, the experience feels emotionless in comparison. It conjured up constant memories of scenes I loved, yet I remembered feeling more than I did in the moment while reading.

I wish it expanded the story much further — not necessarily through even more added scenes, but just slower, more patient pacing, to give each emotional beat more space to land. The pace is so brisk, so rushed, when it didn't need to be. The movie had to deal with the runtime and budget constraints of its own medium, but let the emotions feel alive because of its production and directing. This didn't, and yet didn't take advantage of what it could have done.

In a vacuum, it's still good. Maybe if you read the manga first, you'll still feel things. But you'll probably feel less than you would if you watched the movie. Let that be your magical first experience. And after that, why bother with this?

Your Name had a much better manga adaptation; while also not as good as its film, it felt like its own take on its story. My favorite manga adaptation of a Shinkai work is She and Her Cat, which feels like it could have been the original. But Weathering With You's manga feels like it does not justify itself; it need not have existed, yet something much better than it could have.
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